Category Archives: space

2. Hearing Sirens (2005-2010)

Hearing Sirens (2005–2010) 
A project for mp3-players with portable loudspeaker horns.   Performance of Hearing Sirens in a parking garage Porto (2011).
(picture © Silvana Torrinha) After Actions of Memory, this was my second attempt to perform with loudspeakers attached to the

2. Hearing Sirens (2005-2010)

Hearing Sirens (2005–2010) 
A project for mp3-players with portable loudspeaker horns.   Performance of Hearing Sirens in a parking garage Porto (2011).
(picture © Silvana Torrinha) After Actions of Memory, this was my second attempt to perform with loudspeakers attached to the

3. Oefening in stilzwijgend zingen (2005)

Oefening in stilzwijgend zingen (2005) for three dancers. portable loudspeaker horns and electronics
commissioned by the Festival Rümlingen Jessica Billeter, Helena Zwiauer and Samuel Meystre: dancersTeresa Rotemberg: choreographyCathy van Eck: set-up, music, concept A rehearsal of Oefening in stilzwijgend zingen: the three

3. Oefening in stilzwijgend zingen (2005)

Oefening in stilzwijgend zingen (2005) for three dancers. portable loudspeaker horns and electronics
commissioned by the Festival Rümlingen Jessica Billeter, Helena Zwiauer and Samuel Meystre: dancersTeresa Rotemberg: choreographyCathy van Eck: set-up, music, concept A rehearsal of Oefening in stilzwijgend zingen: the three

5. Blik na blik (2006)

Blik na blik (2006) for a small guitar, live electronics and tin cans written for Daniel Göritz commissioned by the Festival Klangwerkstatt By putting the loudspeakers in a line next to the performer, they are both at the same perspective on stage.

5. Blik na blik (2006)

Blik na blik (2006) for a small guitar, live electronics and tin cans written for Daniel Göritz commissioned by the Festival Klangwerkstatt By putting the loudspeakers in a line next to the performer, they are both at the same perspective on stage.

6. Büchsen für Pandora—Musik aus der Dose (2006)

Büchsen für Pandora – Musik aus der Dose (2006) for loudspeakers, tin cans and live electronics Four loudspeakers of which three have a fixed tin can tower placed upon them. The fourth loudspeaker is “played” by placing different tin can

6. Büchsen für Pandora—Musik aus der Dose (2006)

Büchsen für Pandora – Musik aus der Dose (2006) for loudspeakers, tin cans and live electronics Four loudspeakers of which three have a fixed tin can tower placed upon them. The fourth loudspeaker is “played” by placing different tin can

7. Hearing Sirens (2007) (for one performer)

Hearing Sirens (2007) (for one performer) for portable loudspeaker horns and electronics written for the Mobile Music Workshop  Performance of Hearing Sirens in Amsterdam (2007). After my experiences with loudspeaker horns in Oefening in stilzwijgend zingen, I decided to develop a new composition

7. Hearing Sirens (2007) (for one performer)

Hearing Sirens (2007) (for one performer) for portable loudspeaker horns and electronics written for the Mobile Music Workshop  Performance of Hearing Sirens in Amsterdam (2007). After my experiences with loudspeaker horns in Oefening in stilzwijgend zingen, I decided to develop a new composition

9. dazwischen (2007)

dazwischen (2007) for three loudspeakers, three performers with contact microphones and live electronics written for the musictheatre Wanderland commissioned by the Festival Klangwerkstatt performers: Susanne Kabalan, Andre Bayer, Cathy van Eck The performers were standing on a stairway in the theatre.  

9. dazwischen (2007)

dazwischen (2007) for three loudspeakers, three performers with contact microphones and live electronics written for the musictheatre Wanderland commissioned by the Festival Klangwerkstatt performers: Susanne Kabalan, Andre Bayer, Cathy van Eck The performers were standing on a stairway in the theatre.  

10. Luftschlösser im Bau (2007)

Luftschlösser im Bau (2007) for 10 musicians, 7 castles in the air structures and electronics written for the music theatre Wanderland commissioned by the Festival Klangwerkstatt   This piece is written for soprano, baritone, three clarinets, two trumpets, a trombone,

10. Luftschlösser im Bau (2007)

Luftschlösser im Bau (2007) for 10 musicians, 7 castles in the air structures and electronics written for the music theatre Wanderland commissioned by the Festival Klangwerkstatt   This piece is written for soprano, baritone, three clarinets, two trumpets, a trombone,

11. Wings (2007—2008)

Wings (2007 – 2008) for big white shields, three microphones, one loudspeaker and three performers. Part of three performances about feedback by a search for renoise (strings by Sebastian Lach Lau and tubes by Paul Craenen) with support from Champ

11. Wings (2007—2008)

Wings (2007 – 2008) for big white shields, three microphones, one loudspeaker and three performers. Part of three performances about feedback by a search for renoise (strings by Sebastian Lach Lau and tubes by Paul Craenen) with support from Champ

12. in blik (2008)

in blik (2008) for tin can towers and electronics written for the Lange Nacht des Musiktheaters in Berlin, Germany   The set-up for in blik. Five different tin can towers, each attached to a tactile transducer.   In in blik there

12. in blik (2008)

in blik (2008) for tin can towers and electronics written for the Lange Nacht des Musiktheaters in Berlin, Germany   The set-up for in blik. Five different tin can towers, each attached to a tactile transducer.   In in blik there

13. Mit Luft gebaut – Musik aus der Dose (2008)

Mit Luft gebaut – Musik aus der Dose (2008) for castles in the air, tin can towers, loudspeakers and three performers; performances in a soundinstallation for a guitarist and two singers. Seven “castles in the air” are used in this

13. Mit Luft gebaut – Musik aus der Dose (2008)

Mit Luft gebaut – Musik aus der Dose (2008) for castles in the air, tin can towers, loudspeakers and three performers; performances in a soundinstallation for a guitarist and two singers. Seven “castles in the air” are used in this

14. Im freien (2008)

Im freien (2008) for recorder, duduk, organpipe and electronics written for Gerd Lünenbürger and Raphaela Danksagmüller   A small loudspeaker is placed in an organ pipe.   My research started as an attempt to bring microphones and loudspeakers closer to

14. Im freien (2008)

Im freien (2008) for recorder, duduk, organpipe and electronics written for Gerd Lünenbürger and Raphaela Danksagmüller   A small loudspeaker is placed in an organ pipe.   My research started as an attempt to bring microphones and loudspeakers closer to

17. Ein Oktett für das Quartett (2009)

Ein Oktett für das Quartett (2009) a piece for 8 loudspeakers and 4 performers for the music theatre piece Das Quartett oder Schumann im Netz – Eine Unterhaltung mit Interferenzen und Turbulenzen commissioned by Bühne Fasson I fastened the four

17. Ein Oktett für das Quartett (2009)

Ein Oktett für das Quartett (2009) a piece for 8 loudspeakers and 4 performers for the music theatre piece Das Quartett oder Schumann im Netz – Eine Unterhaltung mit Interferenzen und Turbulenzen commissioned by Bühne Fasson I fastened the four

25. Klangverordnung – Die verbotene Klänge der Stadt Bern (2012)

Klangverordnung – Die verbotene Klänge der Stadt Bern Version II (2012) performance for two big orange loudspeaker horns, the forbidden noises of the city of Bern and one performer. written for and commissioned by the Bone festival for performance art Klangverordnung

25. Klangverordnung – Die verbotene Klänge der Stadt Bern (2012)

Klangverordnung – Die verbotene Klänge der Stadt Bern Version II (2012) performance for two big orange loudspeaker horns, the forbidden noises of the city of Bern and one performer. written for and commissioned by the Bone festival for performance art Klangverordnung

26. Double Beat (2013)

Double Beat (2013) a performance for plastic bags, breath, two heart beats and electronics. written for and commissioned by the symposion Mind the Gap in Graz (Austria)   During the performance, the woman inflates plastic bags with her breath.  

26. Double Beat (2013)

Double Beat (2013) a performance for plastic bags, breath, two heart beats and electronics. written for and commissioned by the symposion Mind the Gap in Graz (Austria)   During the performance, the woman inflates plastic bags with her breath.  

28. Extended Ears (2013)

Extended Ears (2013) sound walks with listening horns and an iPhone app. developed during the research project sonozones, with Jan Schacher.   Listening through a horn.   This is the last piece that belongs to my research on microphones and

28. Extended Ears (2013)

Extended Ears (2013) sound walks with listening horns and an iPhone app. developed during the research project sonozones, with Jan Schacher.   Listening through a horn.   This is the last piece that belongs to my research on microphones and