Category Archives: movement

2. Hearing Sirens (2005-2010)

Hearing Sirens (2005–2010) 
A project for mp3-players with portable loudspeaker horns.   Performance of Hearing Sirens in a parking garage Porto (2011).
(picture © Silvana Torrinha) After Actions of Memory, this was my second attempt to perform with loudspeakers attached to the

2. Hearing Sirens (2005-2010)

Hearing Sirens (2005–2010) 
A project for mp3-players with portable loudspeaker horns.   Performance of Hearing Sirens in a parking garage Porto (2011).
(picture © Silvana Torrinha) After Actions of Memory, this was my second attempt to perform with loudspeakers attached to the

3. Oefening in stilzwijgend zingen (2005)

Oefening in stilzwijgend zingen (2005) for three dancers. portable loudspeaker horns and electronics
commissioned by the Festival Rümlingen Jessica Billeter, Helena Zwiauer and Samuel Meystre: dancersTeresa Rotemberg: choreographyCathy van Eck: set-up, music, concept A rehearsal of Oefening in stilzwijgend zingen: the three

3. Oefening in stilzwijgend zingen (2005)

Oefening in stilzwijgend zingen (2005) for three dancers. portable loudspeaker horns and electronics
commissioned by the Festival Rümlingen Jessica Billeter, Helena Zwiauer and Samuel Meystre: dancersTeresa Rotemberg: choreographyCathy van Eck: set-up, music, concept A rehearsal of Oefening in stilzwijgend zingen: the three

7. Hearing Sirens (2007) (for one performer)

Hearing Sirens (2007) (for one performer) for portable loudspeaker horns and electronics written for the Mobile Music Workshop  Performance of Hearing Sirens in Amsterdam (2007). After my experiences with loudspeaker horns in Oefening in stilzwijgend zingen, I decided to develop a new composition

7. Hearing Sirens (2007) (for one performer)

Hearing Sirens (2007) (for one performer) for portable loudspeaker horns and electronics written for the Mobile Music Workshop  Performance of Hearing Sirens in Amsterdam (2007). After my experiences with loudspeaker horns in Oefening in stilzwijgend zingen, I decided to develop a new composition

18. Song no 3 (2010)

Song no 3 (2010) for one performer, loudspeaker, microphone and live electronics written for KOFOMI                   The performer holds a microphone and a large piece of white paper was glued onto the loudspeaker.

18. Song no 3 (2010)

Song no 3 (2010) for one performer, loudspeaker, microphone and live electronics written for KOFOMI                   The performer holds a microphone and a large piece of white paper was glued onto the loudspeaker.

19. When the sound of your voice slips through my fingers (2010)

When the sound of your voice slips through my fingers (2010) for five singers, small microphones and loudspeakers, and live electronics written for the Neue Vocalsolisten Stuttgart commissioned by Musik der Jahrhunderte   In When the sound of your voice

19. When the sound of your voice slips through my fingers (2010)

When the sound of your voice slips through my fingers (2010) for five singers, small microphones and loudspeakers, and live electronics written for the Neue Vocalsolisten Stuttgart commissioned by Musik der Jahrhunderte   In When the sound of your voice

25. Klangverordnung – Die verbotene Klänge der Stadt Bern (2012)

Klangverordnung – Die verbotene Klänge der Stadt Bern Version II (2012) performance for two big orange loudspeaker horns, the forbidden noises of the city of Bern and one performer. written for and commissioned by the Bone festival for performance art Klangverordnung

25. Klangverordnung – Die verbotene Klänge der Stadt Bern (2012)

Klangverordnung – Die verbotene Klänge der Stadt Bern Version II (2012) performance for two big orange loudspeaker horns, the forbidden noises of the city of Bern and one performer. written for and commissioned by the Bone festival for performance art Klangverordnung

27. Square Head (2013)

Square Head (2013) a performance for one performer, a box, two small loudspeakers and one audience member. written for and commissioned by ensemble hand werk The different positions of the loudspeakers during the performance.   Square Head makes use of

27. Square Head (2013)

Square Head (2013) a performance for one performer, a box, two small loudspeakers and one audience member. written for and commissioned by ensemble hand werk The different positions of the loudspeakers during the performance.   Square Head makes use of