Merche Blasco interviewed me in February 2020 on my work with objects and gestures, on how I use everyday actions and sonic transformations and the role of narration in my pieces. In this video the interview is combined with several…
everyday tools
We Are Prepared
This piece has been composed for and developed together with Steffi Weismann, Katarina Rasinski and Ariana Jessulat of Maulwerker. We are prepared is based on a similar set-up as Empty Chairs. Again chairs equiped with loudspeakers and sensors are used,…
Empty Chairs
Empty Chairs stages three empty chairs, each with a loudspeaker attached. A system of live recorded sounds and electronic processing brings them to life. A performer interacts with the chairs by moving them, placing them in new formations, and trying out different…
La Nature dans le Miroir
As a human being I try to observe nature by catching it. I make pictures of beautiful landscapes and recordings of bird sounds. But this process of catching is also transforming nature. I use trails made in the landscape so I…
In Paradisum
There is not much to say about this performance: I simply try to find the perfect sound for eating an apple In Paradisum (2019)performance for apple, performer and live electronics
Groene Ruis
This performance takes two simple every day objects–a plant and a hair dryer–to investigate in our relationship with our “natural” environment. Looking for transitions between human, plants and machines, the story of the nymph Daphne, who transforms herself into a…
In blik
In in blikinstead of musicians, five tin can towers are performing. The tin cans are humming softly, singing aloud or just breathing . At certain times though, they also try to break out of their tin cans: they start to…