1. Actions of Memory (2003)

Actions of Memory (2003) a performance for guitar, trombone, double bass and live electronics with Wouter Snoei (live-electronics), Juan Parra Cancino (guitar), Jelte van Andel (double bass) and Joost Geevers (trombone) Robert Steijn (dramaturgy) commissioned by the muziekwerkplaats de Trampoline

1. Actions of Memory (2003)

Actions of Memory (2003) a performance for guitar, trombone, double bass and live electronics with Wouter Snoei (live-electronics), Juan Parra Cancino (guitar), Jelte van Andel (double bass) and Joost Geevers (trombone) Robert Steijn (dramaturgy) commissioned by the muziekwerkplaats de Trampoline

2. Hearing Sirens (2005-2010)

Hearing Sirens (2005–2010) 
A project for mp3-players with portable loudspeaker horns.   Performance of Hearing Sirens in a parking garage Porto (2011).
(picture © Silvana Torrinha) After Actions of Memory, this was my second attempt to perform with loudspeakers attached to the

2. Hearing Sirens (2005-2010)

Hearing Sirens (2005–2010) 
A project for mp3-players with portable loudspeaker horns.   Performance of Hearing Sirens in a parking garage Porto (2011).
(picture © Silvana Torrinha) After Actions of Memory, this was my second attempt to perform with loudspeakers attached to the

3. Oefening in stilzwijgend zingen (2005)

Oefening in stilzwijgend zingen (2005) for three dancers. portable loudspeaker horns and electronics
commissioned by the Festival Rümlingen Jessica Billeter, Helena Zwiauer and Samuel Meystre: dancers Teresa Rotemberg: choreography Cathy van Eck: set-up, music, concept A rehearsal of Oefening in stilzwijgend zingen:

3. Oefening in stilzwijgend zingen (2005)

Oefening in stilzwijgend zingen (2005) for three dancers. portable loudspeaker horns and electronics
commissioned by the Festival Rümlingen Jessica Billeter, Helena Zwiauer and Samuel Meystre: dancers Teresa Rotemberg: choreography Cathy van Eck: set-up, music, concept A rehearsal of Oefening in stilzwijgend zingen:

4. Medea werden (2006)

Medea werden (2006) for mezzo-soprano, three actresses and loudspeaker Uta Buchheister – mezzo-soprano Franziska Dieterich/Bärbel Schwarz/Mariel Jana Supka – actresses Cathy van Eck/Daniel Plewe – sound, video Sabine Hilscher – set & costume design Henning Fülle – dramaturgy Matthias Rebstock – concept, stage

4. Medea werden (2006)

Medea werden (2006) for mezzo-soprano, three actresses and loudspeaker Uta Buchheister – mezzo-soprano Franziska Dieterich/Bärbel Schwarz/Mariel Jana Supka – actresses Cathy van Eck/Daniel Plewe – sound, video Sabine Hilscher – set & costume design Henning Fülle – dramaturgy Matthias Rebstock – concept, stage

5. Blik na blik (2006)

Blik na blik (2006) for a small guitar, live electronics and tin cans written for Daniel Göritz commissioned by the Festival Klangwerkstatt By putting the loudspeakers in a line next to the performer, they are both at the same perspective on stage.

5. Blik na blik (2006)

Blik na blik (2006) for a small guitar, live electronics and tin cans written for Daniel Göritz commissioned by the Festival Klangwerkstatt By putting the loudspeakers in a line next to the performer, they are both at the same perspective on stage.

6. Büchsen für Pandora—Musik aus der Dose (2006)

Büchsen für Pandora – Musik aus der Dose (2006) for loudspeakers, tin cans and live electronics Four loudspeakers of which three have a fixed tin can tower placed upon them. The fourth loudspeaker is “played” by placing different tin can

6. Büchsen für Pandora—Musik aus der Dose (2006)

Büchsen für Pandora – Musik aus der Dose (2006) for loudspeakers, tin cans and live electronics Four loudspeakers of which three have a fixed tin can tower placed upon them. The fourth loudspeaker is “played” by placing different tin can

7. Hearing Sirens (2007) (for one performer)

Hearing Sirens (2007) (for one performer) for portable loudspeaker horns and electronics written for the Mobile Music Workshop  Performance of Hearing Sirens in Amsterdam (2007). After my experiences with loudspeaker horns in Oefening in stilzwijgend zingen, I decided to develop a new composition

7. Hearing Sirens (2007) (for one performer)

Hearing Sirens (2007) (for one performer) for portable loudspeaker horns and electronics written for the Mobile Music Workshop  Performance of Hearing Sirens in Amsterdam (2007). After my experiences with loudspeaker horns in Oefening in stilzwijgend zingen, I decided to develop a new composition

8. groene ruis (2007) for a small tree, gestures and contact microphones.

groene ruis (2007) for a small sounding tree, hairdryer, contact microphones, gestures and live electronics written for the Gaudeamus Music week   A choreography of hand and arm movements controls the sounds with the help of contact microphones attached to

8. groene ruis (2007) for a small tree, gestures and contact microphones.

groene ruis (2007) for a small sounding tree, hairdryer, contact microphones, gestures and live electronics written for the Gaudeamus Music week   A choreography of hand and arm movements controls the sounds with the help of contact microphones attached to

9. dazwischen (2007)

dazwischen (2007) for three loudspeakers, three performers with contact microphones and live electronics written for the musictheatre Wanderland commissioned by the Festival Klangwerkstatt performers: Susanne Kabalan, Andre Bayer, Cathy van Eck The performers were standing on a stairway in the theatre.  

9. dazwischen (2007)

dazwischen (2007) for three loudspeakers, three performers with contact microphones and live electronics written for the musictheatre Wanderland commissioned by the Festival Klangwerkstatt performers: Susanne Kabalan, Andre Bayer, Cathy van Eck The performers were standing on a stairway in the theatre.  

10. Luftschlösser im Bau (2007)

Luftschlösser im Bau (2007) for 10 musicians, 7 castles in the air structures and electronics written for the music theatre Wanderland commissioned by the Festival Klangwerkstatt   This piece is written for soprano, baritone, three clarinets, two trumpets, a trombone,

10. Luftschlösser im Bau (2007)

Luftschlösser im Bau (2007) for 10 musicians, 7 castles in the air structures and electronics written for the music theatre Wanderland commissioned by the Festival Klangwerkstatt   This piece is written for soprano, baritone, three clarinets, two trumpets, a trombone,

11. Wings (2007—2008)

Wings (2007 – 2008) for big white shields, three microphones, one loudspeaker and three performers. Part of three performances about feedback by a search for renoise (strings by Sebastian Lach Lau and tubes by Paul Craenen) with support from Champ

11. Wings (2007—2008)

Wings (2007 – 2008) for big white shields, three microphones, one loudspeaker and three performers. Part of three performances about feedback by a search for renoise (strings by Sebastian Lach Lau and tubes by Paul Craenen) with support from Champ

12. in blik (2008)

in blik (2008) for tin can towers and electronics written for the Lange Nacht des Musiktheaters in Berlin, Germany   The set-up for in blik. Five different tin can towers, each attached to a tactile transducer.   In in blik there

12. in blik (2008)

in blik (2008) for tin can towers and electronics written for the Lange Nacht des Musiktheaters in Berlin, Germany   The set-up for in blik. Five different tin can towers, each attached to a tactile transducer.   In in blik there

13. Mit Luft gebaut – Musik aus der Dose (2008)

Mit Luft gebaut – Musik aus der Dose (2008) for castles in the air, tin can towers, loudspeakers and three performers; performances in a soundinstallation for a guitarist and two singers. Seven “castles in the air” are used in this

13. Mit Luft gebaut – Musik aus der Dose (2008)

Mit Luft gebaut – Musik aus der Dose (2008) for castles in the air, tin can towers, loudspeakers and three performers; performances in a soundinstallation for a guitarist and two singers. Seven “castles in the air” are used in this

14. Im freien (2008)

Im freien (2008) for recorder, duduk, organpipe and electronics written for Gerd Lünenbürger and Raphaela Danksagmüller   A small loudspeaker is placed in an organ pipe.   My research started as an attempt to bring microphones and loudspeakers closer to

14. Im freien (2008)

Im freien (2008) for recorder, duduk, organpipe and electronics written for Gerd Lünenbürger and Raphaela Danksagmüller   A small loudspeaker is placed in an organ pipe.   My research started as an attempt to bring microphones and loudspeakers closer to

15. hout en snaren (2008)

hout en snaren (2008) a piece of music for violin, loudspeaker-object and live-electronics written for Susanne Zapf commissioned by November Music The object is made of wood and iron wire.   In this piece, the source material of the violin,

15. hout en snaren (2008)

hout en snaren (2008) a piece of music for violin, loudspeaker-object and live-electronics written for Susanne Zapf commissioned by November Music The object is made of wood and iron wire.   In this piece, the source material of the violin,

16. Das Quartett oder Schumann im Netz (2009)

Das Quartett oder Schumann im Netz (2009) Two interactive set-ups for the music theatre piece Das Quartett oder Schumann im Netz – Eine Unterhaltung mit Interferenzen und Turbulenzen commissioned by Bühne Fasson Mathias Wendel – voice / movement Karin Minger –

16. Das Quartett oder Schumann im Netz (2009)

Das Quartett oder Schumann im Netz (2009) Two interactive set-ups for the music theatre piece Das Quartett oder Schumann im Netz – Eine Unterhaltung mit Interferenzen und Turbulenzen commissioned by Bühne Fasson Mathias Wendel – voice / movement Karin Minger –

17. Ein Oktett für das Quartett (2009)

Ein Oktett für das Quartett (2009) a piece for 8 loudspeakers and 4 performers for the music theatre piece Das Quartett oder Schumann im Netz – Eine Unterhaltung mit Interferenzen und Turbulenzen commissioned by Bühne Fasson I fastened the four

17. Ein Oktett für das Quartett (2009)

Ein Oktett für das Quartett (2009) a piece for 8 loudspeakers and 4 performers for the music theatre piece Das Quartett oder Schumann im Netz – Eine Unterhaltung mit Interferenzen und Turbulenzen commissioned by Bühne Fasson I fastened the four

18. Song no 3 (2010)

Song no 3 (2010) for one performer, loudspeaker, microphone and live electronics written for KOFOMI                   The performer holds a microphone and a large piece of white paper was glued onto the loudspeaker.

18. Song no 3 (2010)

Song no 3 (2010) for one performer, loudspeaker, microphone and live electronics written for KOFOMI                   The performer holds a microphone and a large piece of white paper was glued onto the loudspeaker.

19. When the sound of your voice slips through my fingers (2010)

When the sound of your voice slips through my fingers (2010) for five singers, small microphones and loudspeakers, and live electronics written for the Neue Vocalsolisten Stuttgart commissioned by Musik der Jahrhunderte   In When the sound of your voice

19. When the sound of your voice slips through my fingers (2010)

When the sound of your voice slips through my fingers (2010) for five singers, small microphones and loudspeakers, and live electronics written for the Neue Vocalsolisten Stuttgart commissioned by Musik der Jahrhunderte   In When the sound of your voice

20. Music Stands (2011)

Music Stands (2011) for two music stands, two small loudspeakers, contact microphones and live electronics. written for the Backofen Festival by Maru Rieben Two music stands are unfolded at the start of the performance. Both are amplified using a contact microphone

20. Music Stands (2011)

Music Stands (2011) for two music stands, two small loudspeakers, contact microphones and live electronics. written for the Backofen Festival by Maru Rieben Two music stands are unfolded at the start of the performance. Both are amplified using a contact microphone

21. Pièce d’Ameublement (2011)

Pièce d’Ameublement (2011) for grand piano, plants and live electronics. written for Frederik Croene commissioned by fonds voor de podiumkunsten   The plants on the piano are watered by the pianist. This piece is based on the idea of pianos

21. Pièce d’Ameublement (2011)

Pièce d’Ameublement (2011) for grand piano, plants and live electronics. written for Frederik Croene commissioned by fonds voor de podiumkunsten   The plants on the piano are watered by the pianist. This piece is based on the idea of pianos

22. Stumme Diener (2011)

Stumme Diener (2011) performance for music stands, loudspeakers, microphones and live electronics, developed together with Susanne Zapf, also featuring pieces by Jakob Diehl and Wael Sami. commissioned by Klangwerkstatt Berlin The set-up at the beginning of Stumme Diener: four folded note

22. Stumme Diener (2011)

Stumme Diener (2011) performance for music stands, loudspeakers, microphones and live electronics, developed together with Susanne Zapf, also featuring pieces by Jakob Diehl and Wael Sami. commissioned by Klangwerkstatt Berlin The set-up at the beginning of Stumme Diener: four folded note

23. Geluid gemeten: no 23 & no 32 (2012)

Geluid gemeten: no 23 & no 32 (2012) sound installation for several pieces of paper, two loudspeakers, a box and electronics written for the Kolumba museum commissioned by the biennale cologne All sounds are transmitted through the paper and the

23. Geluid gemeten: no 23 & no 32 (2012)

Geluid gemeten: no 23 & no 32 (2012) sound installation for several pieces of paper, two loudspeakers, a box and electronics written for the Kolumba museum commissioned by the biennale cologne All sounds are transmitted through the paper and the

24. Ways and Means (2012)

Ways and Means (2012) for five singers, gestures, small microphones and loudspeakers and live electronics written for and commissioned by the Munich Biennale and the University of the Arts Berlin Meriel Price – gestures / voice Maren Schäfer – gestures

24. Ways and Means (2012)

Ways and Means (2012) for five singers, gestures, small microphones and loudspeakers and live electronics written for and commissioned by the Munich Biennale and the University of the Arts Berlin Meriel Price – gestures / voice Maren Schäfer – gestures

25. Klangverordnung – Die verbotene Klänge der Stadt Bern (2012)

Klangverordnung – Die verbotene Klänge der Stadt Bern Version II (2012) performance for two big orange loudspeaker horns, the forbidden noises of the city of Bern and one performer. written for and commissioned by the Bone festival for performance art Klangverordnung

25. Klangverordnung – Die verbotene Klänge der Stadt Bern (2012)

Klangverordnung – Die verbotene Klänge der Stadt Bern Version II (2012) performance for two big orange loudspeaker horns, the forbidden noises of the city of Bern and one performer. written for and commissioned by the Bone festival for performance art Klangverordnung

26. Double Beat (2013)

Double Beat (2013) a performance for plastic bags, breath, two heart beats and electronics. written for and commissioned by the symposion Mind the Gap in Graz (Austria)   During the performance, the woman inflates plastic bags with her breath.  

26. Double Beat (2013)

Double Beat (2013) a performance for plastic bags, breath, two heart beats and electronics. written for and commissioned by the symposion Mind the Gap in Graz (Austria)   During the performance, the woman inflates plastic bags with her breath.  

27. Square Head (2013)

Square Head (2013) a performance for one performer, a box, two small loudspeakers and one audience member. written for and commissioned by ensemble hand werk The different positions of the loudspeakers during the performance.   Square Head makes use of

27. Square Head (2013)

Square Head (2013) a performance for one performer, a box, two small loudspeakers and one audience member. written for and commissioned by ensemble hand werk The different positions of the loudspeakers during the performance.   Square Head makes use of

28. Extended Ears (2013)

Extended Ears (2013) sound walks with listening horns and an iPhone app. developed during the research project sonozones, with Jan Schacher.   Listening through a horn.   This is the last piece that belongs to my research on microphones and

28. Extended Ears (2013)

Extended Ears (2013) sound walks with listening horns and an iPhone app. developed during the research project sonozones, with Jan Schacher.   Listening through a horn.   This is the last piece that belongs to my research on microphones and